1985 Transpersonal Contemporary Art Composite B

1985 Transpersonal Contemporary Art by Idalet. In this second composite image, a connection to enlightenment, a sense of timelessness, and the ethereal domain emerges. This portrayal aligns with Plutarch's assertion that death is not an end but a transition - a mere shifting of scenes, an awakening in a new world.

Interpreting Composite 'B' involves an assumption that the two figures depicted on the left and right are identical. This assumption leads to the inference of a soul duality, suggesting that the energy of the soul can divide into identical parts. In this conceptualization, a portion of our light energy remains in the spirit world, manifesting as our etheric body.

Adding a nuanced dimension to the interpretation, the figure on the right is partially outlined in silver.

Top Left (Red relates to a physical awareness or world as in 'Composite A'): The red structure could represent three levels of physical manifestation: Physical, Etheric and Astral.

The vase is shaped typically for the storage of food (grain). The symbols on the vase could signify the ancient Latvian signs of the material world of healing, water and earth (from top to bottom).

Top Right (Yellow relates to enlightenment as in 'Composite A'): This 'place of enlightenment' is known as the realm of the mind and links to the purpose of one's life.

The vase is shaped for the storage of oil that is used for spiritual ceremonies. The markings next to the vase could relate to the ancient Latvian healing signs of Fate/Destiny.

Middle Left: At the moment of death, a soul (a white figure with a silver marking around the face and yellow halo above the head) rises out of the physical body (a human figure outlined in black lies on the ground). This becomes 'now' time (Nagual) for the soul, as opposed to linear time symbolised by the ruler. 'Now-time' refers to the feeling of timelessness. The blue square may represent a spiritual door.

Bottom Left (The grey area relates to the subconscious mind as in 'Composite A'): The face with a silver third eye (bottom left) may symbolise an instinctive/primordial self or astral body. Refer to the artwork 1991, Fight or flight.

Bottom Middle (Passing over): As souls move away from earth, they experience an increasing brilliant light around them and sense passing through a tunnel or portal towards a spiritual world.

Bottom Right (The silver/blue area relates to a spiritual awareness): The two yellow circles can indicate completeness and wholeness. It encompasses death and rebirth and is a balance of yin and yang energies.

The silver alien figure symbolises the fluid quality of a spirit. There is a silver wave-like etheric cord ('the silver cord' as in the Bible Ecc. 12:6) linked to a human body. The antenna on the rooftop represents the tuning into other humans, similar to radio waves that are picked up when the dial is tuned to the appropriate wavelength. The human mind and body will tune in to these energy waves.

The ladder, depicted with silver lines on the blue background, represents the attaining of higher awareness or reaching new heights in life. This may symbolise Jacob's ladder to heaven and the ascent to the realm of the angels.

The 14 ancient Latvian (black) markings on the front of the grey celestial pole may relate to the four stages of the moon cycle. The silver lines across may reflect the passage of time.

The clay-coloured building corresponds to the clay-coloured spiritual body. The clay structure portrays three levels of the mind: Instinctive, Intellectual and Spiritual (refer to Diagram 16). These levels are partially outlined in silver. Above this structure, there is a silver angelic figure.

Framed artwork size: 40 cm x 30 cm.